Hey, Writerly Women! This picture of me in my husband's brand new Mini-Cooper has nothing whatsoever to do with what I'm about to write about, but this little sucker does ZOOM, so maybe there's a connection. His name, by the way, is Max. Mad Max.
Zooming IS the topic, and I just want to say how inspiring and fun and warm it was to be with those of you who joined in on Saturday afternoon. Laureen, Addison, Kates B. and P, Gloria, Andrea, Jenny, Abigails G. and H., Pam, Chelsea, Kelly, Margie and I all came together and in addition to encouraging each other we came up with some ideas for encouraging ALL of us here in the blog community. More on that below.
It was, in short, Insanely Interesting.
Those ninety minutes went so well, we decided it had to happen again, and I have already set a date:
Our next Zoom session will be Saturday, May 15.
If Saturdays just aren't good for you, will you please let me know via comment or email? I want to make sure we can include as many of you who want to be with us as possible.
In the course of our conversation, the group came up with a number of words and topics they'd like for us to explore here on Doorways. Those include, in relation to writing:
If you have one (or more) you'd like to add to that list, do let me know, again via comment or email. If it's something you wrestle with, it's something someone else struggles with as well.
Several questions also arose:
Is what I'm writing really worth the effort?
How do I write an ending that fulfills those questions posed at the beginning and provides a good payoff?
How do I muck out the muddled middle of my story?
Do you plan the whole story out before you start writing or just go for it?
What do I do when my secondary characters are more interesting than my protagonist?
How do I write chapter endings that hook the reader into continuing?
But that also confirmed that something I've been toying with would be worth trying. I'm thinking of offering some 90-minute Zoom Playshops (as opposed to workshops), each of which would involve some instruction, a guided exercise to do right there while we're in session and an opportunity to share what you create. I'd have to charge for these -- probably $25 per person -- since this involves preparation. Anyone who would like a personal follow-up critique of 500 words of their work would pay an extra $15. This would probably happen once a month, beginning in June. Again, will you chime in and let me know if that is something you're interested in?
Perhaps the most important thing that came out of our time together was the agreement that this community is about encouragement. About sharing our frustrations and disappointments and fears as well as our milestones, no matter what shape those take. Those attending said they are reminded of their own worth when they come here, and I am all ABOUT that. If there is any way I can do more to make that a reality for you, I want to know. My inbox is always open to you.
Finally, we did some dreaming together -- about writing what we REALLY want to write in a place where we could completely focus and surround ourselves with inspiration. We were talking everything from The Great Barrier Reef to Northern Ireland (before we were done, we were all meeting on the Emerald Isle!). From the mountains of Colorado to the Jersey Shore. From Concord, Massachusetts, to a place where fairies dwell. The upshot of that was three-fold:
* Why CAN'T we write whatever we want to write? We sort of got into Abigail H's face about that (sorry, Abby!) but she was our symbol for why NOT? It was refreshing to hear that most people, if given the chance to write whatever they wanted, would write what they're working on now.
* The problem with doing that is interruption. It can be so difficult to sustain attention to the project when the rest of life is screaming at us, shaking us and yanking us out from in front of the computer. That's a bit of an exaggeration, but I'm a fiction writer, so, y'know. That is the reason we're so drawn to going away to some secluded place where we know no one. Yeah, Ireland sounds magical and Australia would be so freeing, but it's the uninterrupted blocks of time we're truly longing for.
* So in the tradition of Julia Cameron's The Artist's Way (a twelve-step program for recovering creativity), we can dip into that dream in small ways. If your dream is to go to Rome for three months and work on your romance novel you CAN carve out two or three blocks of time a week and make yourself an espresso and turn on Il Volo and put a sign on your door (preferably in Italian) that says, "Unless you are bleeding, there's a bone sticking out or you are running a fever of over 102, don't even think about disturbing me." Find those pieces of Greece or the Rockies or a Scottish island and bring them into your writing space. Put on your headphones and fulfill your dream.
If you want to share a comment -- and I hope you do -- tell us anything you want related to this post.
* Whether Saturday afternoons work for you
* A word you want us to explore
* A writing question that won't leave you alone
* Your interest in Zoom Playshops
* A way this community can be more of one
* Your dream and how you could get a mini-taste of it (Ha! I knew we'd get that picture of the mini to fit!)
Any or all or just one -- we'd love to have your input.
Nancy Rue (P.S. Because of you I've started a cash envelope for my editing trip to Concord and I plugged in and wrote for 3 and a half hours this morning. Yeah. We need each other.)